EDITS THATCONVERT
VIDEO EDITOR
01 · DIRECT RESPONSE
02 · POT SWAP
Replacing the product in hand-held footage, frame by frame: tracking, lighting, reflections and fingers over the label. Drag the bar to compare.


- 01TRACK
Planar tracking of the hand-held motion, frame by frame.
- 02REPLACE
The new product composited into the same position and scale.
- 03RELIGHT
Light, reflections and grain matched to the original shot.
- 04ROTO
Fingers and edges rotoscoped back over the label.
03 · NICHES
04 · MEDIA BUYING
- NET REVENUE TRACKED
- R$22.4MR$22,486,611.80 · Jul–Dec 2025
- AD SPEND MANAGED
- R$7.3MR$7,311,451.46 · same period
- SALES
- 137K137,273 sales at 3.08 ROAS
- IN 7 DAYS
- R$1.4MR$1,396,327.86 on R$554K of media · 2.52 ROAS
- BEST DAY ROAS
- 4.85Other documented days at 3.40 and 3.66
- UTMIFY AWARD
- R$10MDiamond for R$10M tracked · Sapphire for R$1M
05 · YOUTUBE
Gaming channel built on reactions, jump scares and chaotic co-op. I cut each episode for pacing and payoff: tight hooks, comedic timing, sound design and on-screen graphics that keep viewers watching to the end.
SELECTED CUTS
ABOUT & CONTACT

ABOUTME.
To me, editing isn't just cutting scenes. It's finding what deserves to be felt, what needs to be understood, and what keeps someone watching.
I bring together narrative, pacing, sound, motion, media and strategy to turn ideas into videos with intent. My years as a media buyer taught me to look past the deliverable: I think about the audience, the angle, the offer, the funnel, and what the data reveals once a campaign goes live.
My focus is performance creative: ads, VSLs and digital content, where every second has to earn attention and move the message forward. Working on both sides, creative and traffic, lets me turn campaign results into hypotheses, test new approaches and evolve creatives with real direction.
That hands-on experience is where TMX came from. I built the platform to connect campaign tracking and management to the creative operation, making the path to conversion easier to read and decisions faster to make. I also built an audio-inversion tool to prepare technical variations for the ad review process on more aggressive angles, cutting manual steps without treating technology as a substitute for each platform's policies.
I'm driven by references, not copies. I study what makes a piece work, watch framing, energy, timing and context, and rebuild it originally for each project's identity. When it makes sense, I use AI and automation as extensions of the creative process: to test, explore and execute better, never to replace direction and judgment.
My goal is simple: make videos with presence, purpose and results.
LET'SSCALEYOUR OFFER.
OPEN TO FREELANCE, FULL-TIME ROLES & PROPOSALS
